![]() Budgetīoth the designer and author should be aware of the extra costs that can add up during the design process. Examples include author and publishing company logos, as well as barcodes so the book can be sold in stores. The less fun but very pertinent graphic information. This can include: front copy, back cover copy (also referred to as “flap copy”), author bio/photo, blurbs and endorsements. A 300 page book will get extremely thick if designed too small, while a larger book needs to be a good length to not feel flimsy and more like a magazine or booklet. The smaller the trim size the less words per page. Books can be almost any size a designer can dream up, but it’s wise to really think about what’s best for the book before arbitrarily selecting a size. Hardbacks can be made with dust-jackets or with the cover images printed directly on the boards. If the book will be print, find out which format and size.įormats include: paperback, hardback or casebound. Information to collect FormatĪsk first if the book cover be used in print, eBook or both? This is relevant for the design notes mentioned above and also because print and web use different color spaces. > Learn more on how to design book covers for any genreĪn eye-catching design by Meella that would pop whether it was used in print or as an ebook. The key is to embrace the expected and find a way to create something surprising and new. A desolate landscape can be fantasy or dystopian. A planet (that’s not earth) sends a clear message of science-fiction a couple sends romantic vibes. Since the goal of your cover is to sell books, the cover of a commercial title should follow, or at least evoke, the standard bearers of its particle genre. These genres have cover design styles that were established decades ago. Examples of commercial (or “genre”) fiction are romance, thrillers, fantasy, horror and science-fiction. Are they young and upcoming or established and trusted? Do they have previous books that have already established an expectation of what a cover should look like? Does the genre (Sci-fi, romance, horror, etc) have an established style?Ĭommercial fiction are books that fall solidly in one genre. If the author is a debut, they might be figuring this out at the same time. Questions to answer Who is the author and what is his or her brand? Figure out what the design needs to emphasize.In the Ultimate Guide to Book Design, we’ll take a look at how to get your book cover to tell readers a story before they even crack open the first page. ![]() So many books are published each year-a good book design must communicate that the pages within are worth a reader’s time and attention. They want a book they can be proud to hold on the subway or read on their e-reader. They look for familiarity but simultaneously yearn for surprise-for something that is new and refreshing. It’s common knowledge by now that readers shop with their eyes. One way or another, it’s going to have to. An author at a bookstore is bound to be impressed by the amount of creative energy in all of the book covers and overwhelmed as to how her own is going to stand out.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |